Phaedra's Relationship with Shame in Act 3, Scene 1

Relationship Between Love and set in ?Phaedra?In ?Phaedra?, jean Racine uses the model of a Grecian tragedy in dictate to express his soulal views regarding fate. Racine?s Jansenist upbringing had given him a strong sense of fate, as people?s destinies were believed to be predetermined. Jansenists believe that although a person has the ability to exercise rationalize will in psyche acts, they ultimately cannot change the stemma that God has set for them. Racine?s unique views have been exhibited in his play ?Phaedra?, where he uses Venus, the goddess of love, as the driving force bottom predestination. Phaedra is a submissive object at the disposal of Venus, who commences this tragical play by instigating Phaedra?s unlawful desire for her near stepson Hippolytus. Phaedra makes every effort to prevail over her emotions, going as furthest as wanting to crumple or else than act on these forbidden feelings. In addition, Phaedra, the miss of Minos and Pasiphäe, has descended from a line of women of stirred passions, as her mother had been cognize for giving birth to a Minotaur through her unnatural haulage to a bull. In this sense, Phaedra is limn as the dupe rather than the culprit because her misfortunes are a result of Venus? passion as well as a tainted lineage.

During the good turn point of the play in Act 3, Scene 1, Phaedra?s shameful desires transform into empowering emotions as she becomes more accepting of her feelings and concocts a complex scheme to judicatory Hippolytus. However, even though she exercises alleviate will by playacting on her emotions, she is still at the mercy of Venus and fate. Thus, although Phaedra is in conflict with herself, her actions cannot alter the forces of destiny, as she is a ?hapless victim of heaven?s requital? (Racine 2.5.677). Racine changes Phaedra?s tone, diction, and... If you want to undo a full essay, edict it on our website: Orderessay

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