Good Use of Personas of Stars in a Film

When field tries to fight bandaging, he does so by putting children between himself and the fighting and accordingly by using the tools of children, such as a slingshot that never works. In some ways, he has an incipient valor that comes out in odd actions, such as transmissible an arrow as it flies past, almost as an afterthought. end-to-end this record, though, palm stands behind watt and lets her fire the gun and compose his bacon, though he takes credit for victory whenever possible. In the saloon, he regales a group with wild tales of his prowess fighting the Indians from the train, when in fact it was West and not field who performed that feat. Though the topical anesthetic gambler does not believe Fields, he sees a contingency to keep control by making Fields sheriff.

twain West and Fields had a certain archaic case that often found them in period pieces or pieces with quaint vices and virtues. West liked to dress in frilly outfits redolent of a western dance hall, and here such attire fits because the story is set in the West. Fields had the air of a riverboat con man and similarly dressed in guardianship with that image, and again this Western fits his persona perfectly.

West's tendency to flirt with jeopardy and with the limits of what would be considered respectable is apparent in this film in her "affair" with the depredator, a man whose face she dose not see. She is suspected of harboring him

The script for this film was written by West and Fields, and they mix to jerk offher a number of comic characters created by exaggeration of character traits. West has a family that dotes on her--she is clearly the most powerful member of the family and of the community at large, and it takes the undivided community to fight back and drive her out of town. Even then(prenominal), her leaving town seems to a greater extent her own decision than that of the public--when asked if she is showing contempt for the court that is seek her, she says she is doing her best to hide it. Margaret Hamilton is the representative of the female population and sees blossoming Belle (West) as disreputable until the moment she is married, at which point all is forgiven and reputability is conferred without question.

Milton the Indian follows Fields around and does his bidding with a noncommittal stoicism.

because he comes to her room the night after he has kidnapped and then returned her. Fields uses the fact that she does not know who the bandit is to strike to be the bandit himself, though in the outfit he looks quite different than the real bandit. This makes for much of the comedy in the latter half of the film. The film as a whole is based on contrasts between truth and pretense. West fools Fields into thinking they are married, all so she can get her hands on the bag of money she believes is real, though it is not. Fields pretends to be the bandit in order to gain his "wife's" affections. The bandit is accepted by West as a hitman for a time, but he is not a poor boy at all. The respectable community is respectable by solar day and patronizes the saloon at night. Except for her deception of Fields, West would be seen as the one character who is open and honest. Her deception also has as much to do with her need to be seen as respectable so she will not be scarper out of town as it does with fraud.

Flower Belle's cousin tells Fields that she likes her men strong and willing to face danger, and Fields takes th
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