The Development and revelation of a Novel Character

When she hears of the love developing mingled with her sis and Paul, she becomes alarmed and seeks to intervene as a set about might, to see if the match is worthy and if Helen is making an error or not. She cannot go herself and sends aunt Juley, moreover by the time Aunt Juley arrives, Paul and Helen have separated. Helen has reacted against her perception of the Wilcoxes as being discharge beneath their facade of confidence and superiority. Some time later, the Schlegels and the Wilcoxes cooperate once more, and this time it is Margaret who becomes close to the family, first to Ruth Wilcox, and by and by Ruth's death to Henry. Helen objects, but Margaret accepts Henry's proposal just the same.

As noted, Margaret is the aged sister. She seems to be the more thoughtful and rational of the two sisters, but she is also impulsive. She serves in the novel as the glue keeping a number of different personalities together. Helen encounters the Wilcoxes and is ultimately offended by them, but she still has continuing personal relations with them because her sister does. The same is true of Leonard Bast, who also might be omitted from this carrousel except for Margaret. Margaret is intellectual and liberal in her views, very practically the daughter of her father, and she is very chip in to people who are not precise replicas of herself. Her friendship with Mrs. Wilcox shows how she can see through to former(a) qualiti

es than are presented on the surface:

Margaret is described as more sensible than Helen, and she ground her bearing on her belief in the ideals of her father. Her father is convinced that Germany should rule the world, and Aunt Juley is convinced that Britain should. Margaret is direct and willing to point her point of view, and when she brings her father and Aunt Juley together to argue with superstar another, she is surprised to find that they will not do so: "Her conclusion was that any human being lies nearer to the spiritual domain than any organization, and from this she never varied" (31).

Helen is described as having confusable views but as being less responsible:

Forster describes Helen as having a better time of it than Margaret because she is prettier and better able to gain ground people around her, and yet it is Margaret who has a more open view of people and who tries harder to know what they are really interchangeable:

But looks have their influence upon character. The sisters were alike as footling girls, but at the time of the Wilcox episode their methods were beginning to pull up stakes; the younger was rather apt to entice people, and, in tempting them, to be herself enticed; the elder went straight ahead, and accepted an occasional affliction as part of the game (31).

Both Margaret and Helen see life as a whole that is to be embraced, while the Wilcoxes guide to see it in a narrow steering, a focus placed largely on their own interests. Ruth is the exception, and her family shows what they commend of her views when they go against her wishes and burn the slip of paper on which she has written them. Helen shows a capacity for life that is apparent when she listens to Beethoven and sees the intend in the music. Helen is a complex character, not flighty as a description of her might seem to indicate, but settle down in her beliefs even as she changes her views about people. She can be intensely loyal and is always willing to support those whom she sees as exploited or discarded by so
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